Of the grand order of folio leviathans, the Sperm Whale and the Right Whale are by far the most noteworthy. They are the only whales regularly hunted by man. To the Nantucketer, they present the two extremes of all the known varieties of the whale. As the external difference between them is mainly observable in their heads; and as a head of each is this moment hanging from the Pequod s side. More and more teen authors are landing book deals these days.
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- The Six-Figure Travel Writer
- Ask the Agent: What does an average first book pay?
- How a book deal works
- How a First-Time Author Got a 7-Figure Book Deal
- Publishing: 7 Things Lessons Learned From My First Book Deal
- Book Marketing for Nonfiction Authors Blog
- 10 Teen Authors who Landed Book Deals
Pic from a 4-Hour Chef sidebar that sadly had to be cut due to space constraints. This guest post by John Romaniello will explain exactly how a first-time author can get a 7-figure book advance, as he did. He launched his blog in with 0 readers. Roman had effectively no Internet presence. So, how did he do it? This post explores the answers and tactics…. Trust me, this is going somewhere. The rule is play it as it lays, meaning Happy needs to putt uh oh.
This would extend the tournament into sudden death. Without completely spoiling the beauty of the putt, Happy makes the shot and wins the tournament. Tim went on to have two more bestsellers using the same formula from his first go-round. And I knew that if we did things the right way, we could come close to replicating it. Which leads us back to Happy Gilmore. My publishing philosophy was direct: First, I partnered with a co-author. I specifically sought out Adam Bornstein.
But he was involved in much more than his salary would suggest. They moved him from Pennsylvania to Santa Monica, and increased his salary by a factor of five. He built his network there, and increased LS. This is impressive for a list of any size, but practically unheard of for a list of nearly 2 million people. Clearly, he was the perfect partner for a plethora of reasons.
Those advances are nothing to sneeze at, and are absolutely in line with the advances typically offered by big publishing companies. We considered it but decided to turn it down. The gambit and gamble paid off. Our proposal — and, I have to imagine, our refusal of the preempt — made quite a splash. If I may quote Tim, I say none of this to impress you, but rather to impress upon you what is possible.
How anyone can become a millionaire author; how, with the right proposal that highlights their skills in the right way, anyone can pull a Happy Gilmore, and just win now. Others have done it, we did it, and there are lessons you can borrow. There are techniques you can copy. There are many conflicting opinions on the best way to go about writing a proposal.
My suggestion? First, hire a really good agent. Book agents write and sell proposals for a living, and have dozens of proposals crossing their desk every week. The insight of a good agent will be invaluable, and so the obvious recommendation is to join forces with a pro, and write together. Of course, you can operate without an agent, write your proposal, and set up meetings with a publisher on your own.
This, to me, seems unwise; agents know how to deal with publishers, and they know how to make deals. I can sell books without an agent, so why do I still have one? Not everyone agrees with this, such as multiple-time NYT bestselling author Tucker Max, who operates independently. You can either be introduced, or go out of your way to find a date by which I mean calling the agency to set up an appointment to pitch your idea.
And, like relationships of any kind, sometimes they happen serendipitously: Scott and I got to talking, and topics ranged from fitness to bourbon to life in NYC. And just like that, we were in business. And as a business plan, it will need to have a strong focus on how the business is going to make money. When a publisher considers the acquisition of a proposal, they need to appraise not only the idea itself, but also the salability of the idea, as well as the business acumen and marketing skill of the author.
The long and short of it is that your proposal serves two purposes: The more time you spend on the latter piece, the easier it will be to do the former. They are even more comparable to publishers than banks. See examples here and here. Also see Author Bestselling Book Proposals. Man 2. Engineering the Alpha fits all four of these categories. In any niche, most people at the top are offering similar services and similar results, even if the methodology differs.
Like any customer, they make a purchase because of the promise of immediate benefit or the threat of missing out. Remember this term and use it. A great example of this is Tucker Max: It turned out to be a good move for the publisher, as the book eventually hit 1 on the New York Times best-seller list. The lesson: Highlight it repeatedly in your draft.
There are 4 primary ways to prove credibility:. Our proposal highlighted these things dramatically, focusing mostly on the below. His network is more extensive than my own, and includes editors from every magazine in our niche, as well as actors and professional athletes he met working in various publications. We used this to prove how many eyeballs we could reach in print and digital media, which was a very valuable asset. More on this later. In that specific case, it lent a lot more weight to our implication not promise that we could get Arnold to write the foreword to the book—and, thankfully, we delivered, as the Gov was happy to write a few pages for us.
After a few email exchanges over the course of a week, I decided, in a moment of idle curiosity, to Google him. Daniel was going to receive priority email response going forward. After a month or so of communication, he signed up for my coaching program essentially, online personal training delivered by email. Daniel became a client—and a great one, at that—and we began to build a friendship.
In essence, I was being asked to justify and explain the design of a chest workout to the man with arguably the greatest chest development in the history of chests. No pressure. Anyway, the upshot is that Daniel came to rely on me as the primary source of fitness information, as well as someone who had a good read on the pulse of the industry. Given my relationship with Daniel, and his relationship with Arnold who, I came to learn, liked my fitness content quite a bit , I was the logical choice to start contributing to the site.
My co-author Adam and I lead the advisory board, and help out with the site quite a bit—which put us in a pretty good position to ask Arnold to write the foreword and feel confident that it would at least be considered. The lesson I learned here was that the Internet is as small as it is big. Google names. You also have the option of creating a partnership, as I did with Adam. In contrast, Adam had written four books previously, and is one of the respected fitness authors in the world.
In addition to making the book better than I could have on my own, I knew having a veteran author on board made the publishers feel at ease. If you decide to partner with another writer as a co-author or even a ghost writer , the obvious choice is to work with someone who will make the project better, and who brings assets to the table that you do not. Keep in mind that publishers are primarily interested in selling books.
If publishers see that you have a relationship with magazines and TV shows, they feel more confident in your ability to get press for the book, and make sales. Done correctly, it will lead to them giving you more money. Which is to say, you need to actually have a good idea. Put another way, you can use marketing to hit the bestseller lists or Amazon top for one week, but you need a good product and distribution to stay there.
The word-of-mouth verdict in a digital age comes quickly. It helps define the lens through which both prospective publishers and readers view the book. This works for authors as well as books: See how well that works? Just take two things that most people know about, each of which relates to your idea in someway, and sandwich them together in a way that immediately creates context. Pro tip: Rest assured that curious editors will do this, so you should do it first.
Once you have identified the personality of your book, you must identify why the book needs to be written. Adam made it clear that one of the greatest lessons he ever learned was from billionaire Mark Cuban. Cuban firmly believed that the reason so many businesses fail is because they never truly address or identify a real, specific problem. As an editor, Adam had seen the typical fitness book approach. And as a voracious reader, I knew that most fitness books all read the same and few every stray from the typical information.
That is, you might find different workouts or diets, but fitness books are formulaic. And more importantly, they all address symptoms and rarely search for underlying problems.
The Six-Figure Travel Writer
This is an older post and although you might find some useful tips, any technical or publishing information is likely to be out of date. Please click on Start Here on the menu bar above to find links to my most useful articles, videos and podcast. Thanks and happy writing! One of the things I really love about this writing life is that we meet other writers along the way, and we never know where they will end up.
Pic from a 4-Hour Chef sidebar that sadly had to be cut due to space constraints. This guest post by John Romaniello will explain exactly how a first-time author can get a 7-figure book advance, as he did.
So I ran a Twitter poll the other day asking people what topic would be the most useful for me to write about, as I really want to try to make this little blog as useful as possible. When I was trying to get published, I spent HOURS trawling the internet for information about the publishing process before I was working in it as closely as I am now and so any light I can now shed on things for other people is hopefully a good thing. A book deal is, in itself, a contract between you the writer and the publishing house the publisher. It is legally binding, and it ties both you and your publisher into a deal which means they will publish your book, and in return, you will meet their deadlines and stipulations and you will receive either a royalties and an advance or b just royalties, no advance. A deal will be agreed usually by your literary agent, and there may be some wrangling between an agent and a commissioning editor or publisher before the deal is finalised — at which point, the paperwork will be sent to you as an author to sign. Your agent can help with this, if you have one.
Ask the Agent: What does an average first book pay?
And except for a lucky few, a long wait follows while the book goes out on sub. But wait…. So you spill the secret to a few trusted friends and family members and wait impatiently for the day you can shout it to the world. Then you bask in the congratulations and eagerly await the day your book heads to publication. Um, no….
How a book deal works
As a hard working, self-published author myself, I fully appreciate that we are all trying to get our best work published without breaking the bank. I love to support other writers on the same journey as me, and therefore as well as organising cross-promotions, I offer both a beta-reading and manuscript critique service. I have critiqued and edited the work of my class mates on both courses, as well as the work of writing buddies for over 5 years. Over the last year, I have provided a critique service to eighteen manuscripts ranging from a short story of fifteen thousand words to full-length novels of over a hundred thousand words. Having a reliable reader who can help you make sure your manuscript is ready for publication is pivotal for most self-published authors, and many of us cultivate teams who are more than willing to provide feedback without payment. In light of this, many of us ask ourselves…. Paying for this service, ensures you receive timely and constructive feedback that is specifically designed to make your manuscript better. What I offer is one read through of your manuscript and a report highlighting areas of your work that could be improved.
How a First-Time Author Got a 7-Figure Book Deal
We met some terrific people, but we also heard an infuriating number of stories about new authors who had been scammed and ripped off by unscrupulous operators whose business models are built around screwing starry-eyed writers out of their hard-earned cash by preying on their dreams of the bestseller list. That makes us angry. We care about writers and hate to see thieves take advantage of them. Unfortunately, this sort of thing is sadly common. Because for millions, writing and publishing a book is fraught with emotion. Scam 1: Sleazy Vanity Publishers.
Publishing: 7 Things Lessons Learned From My First Book Deal
And can you explain how money is paid on a traditional publishing contract? Happy to explain it. First, when you sign to do a book with a legacy publisher, most authors are paid an advance against royalties upon signing the contract. That said, there are a million ways to divide the advance. Some pay half on signing, some pay a percentage when the author completes the bio and marketing forms, Random House wants to pay a portion when the book flips from hardcover to trade paper, etc. Nobody shares the numbers. And the deal points have so many factors: Debut fiction tends to pay less than debut nonfiction, in my experience, and the size of the publishing house makes a difference — the bigger houses tend to pay a larger advance on a first book. Okay… so have I begged the question enough?
Book Marketing for Nonfiction Authors Blog
Speaking as someone who has been traditionally published and self-published, I understand both sides of the equation. I was elated when I got my first book deal, but after subsequent book deals, that excitement faded. I still get aggravated whenever a royalty check arrives because those checks are pitifully low compared to what I earn from my self-published titles. The publishing house is the one reaping all of the rewards. Need I say more? Yep, they make money off the authors too. When you self-publish, you buy your books at cost. Okay, book advances may not be exactly like unicorns because advances do exist, however they are not as exciting as they sound. Once you sign with a traditional publisher, they essentially own all the creative control over your work. The can change your title, modify your text, or even remove entire chapters.
10 Teen Authors who Landed Book Deals
.VIDEO ON THEME: How I Got My Book Deal